1. http://home.iprimus.com.au/scratchy888/SHAMANISM%20AND%20MARECHERA.htm
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  2. There is a certain manner of discourse that always tries to push one into a position of embracing solipsism.

    Do you think that it is wrong that the US government is using torture as means to get its way? Well that is simply because you have an overly harsh superego, and you are projecting a particularly noxious image upon the US government. Away with you!

    Do you think that you have something to say? What was that? About yourself? Well you don't have a self to speak of, although you may insist you do. That ego delusion is all part of the pathology, though, don't you know? The one that caused the holocaust, in fact! Speaking out like that just demonstates the degree of the delusion. A nice, restive personality is passive, in itself, merely adding its number to the aggregate that drives the 'discourse'.

    Did you have something to say? Well, it is a neurosis! And I will do you a big favour by letting you talk past me. Your neurosis will eventually wind down and use itself up. Please don't speak to me in ways that go outside of our transcendent discourse!!

    Oh, and another thing: We are all 100 percent free. So, if you have some troubles here, fly on and sit upon another perch!
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  3. Suppose that every time I do a jab, I resolutely and predictably follow it up with a cross. My opponent therefore learns to understand very well my 'discourse'. S/he knows that the meaning of a jab is preparing to defend against a cross, because I am just about to deliver one."

    This, then, is what I understand concerning what it means to speak within a mode of discourse. One speaks in a mode that is recognisable, certainly. However, the recognizability of one's mode of discourse is premised upon the predictability of what follows next. Should I fail to follow my jab punches with my cross punches, I am no longer relating to my opponent in a way that is inherently as intelligible. This failure means that s/he will not "understand" me quite so well, then.

    But what is assumed, and what certainly is far from proven, is that failure to speak in terms of a recognisable discourse will reduce the efficacy of the speaker.

    LET'S LOOK AT THE ISSUE IN ANOTHER WAY:

    My faithful adherence to following up every jab with a cross may well be appreciated by my opponent -- for it makes me more easy to read and understand and therefore easier to respond to. Yet we are barely struggling at the peripheries of bland conformity when we seek to assure that everything we do occurs in line with common discursive practices.

    Should I fail to follow the route of predictability sometimes, by occasionally mixing up my techniques and manuevers, I can be certain that I will not always be immediately 'understood'.    My efficiency, however, is likely to increase.

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  4. I add to these observations my summary that the early childhood stage is concerned with resolving the ontological question: Do I exist or not, and if so in what form? The link with shamanism is obvious: "Why am I human, and not, rather, a tree?" One may return to this psychological field in order to resolve ontological crises.
    Other points are that I see the task of the shaman to liquidise that which has become all to crystalised and "fixed" within the individual or cultural personality. This allows for an injection of eros and suppleness into ways of life that have become all too crystalised and rigid.
    Thus the healing potency pertains to breaking down and dissolving what exists, so that suppleness may be imparted and possibly new ways of thinking and feeling may result.

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  5. This is a culture wanting to have pleasure without roughage in their diet, that is experiencing anything discomforting. The quick fixes for psychological disturbances, the desire to identify oneself with the process of consumption (but not with the condition of being a worker -- for that would involve pain), and indeed, the vulgar white British takeover of African Safari Culture in the new family television series, Nondescript Life, (taking place on a private wildlife park in South Africa), shows that a frontier mentality is certainly NO LONGER needed to conquer "primitivism" and the African wild. (This is certainly how things were viewed before!) All that is needed is the ability to smile haughtily and yet somehow endearingly at the natives.

    Contemporary culture wants its pleasure without pain, and now that evil has finally been removed from the world (in the shape of white colonial agents), it is pleasure only that we can expect to have recourse to -- never pain.

    My plea is for a reinjection of a much broader scope of organic reality into contemporary consciousness. I am certainly not pleading for the manufacturing of pain -- which contemporary society tends to do mechanistically, in any case, and without reflection or reason.

    I don't think Marechera's works are understandable without this, and I also think there is no muscle growth without a process of breaking something. No healing without pain.


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  6. I sometimes enjoy a precarious dance between the traditional ideas about the shaman and a metonymic idea of the modern, 21st century shaman. So, when I say that Marechera "heals", I would say that he often does so violently -- in the same sense that a surgeon is violent. This may not be the soothing impression that most ppl want to maintain about a "healer", but there it is. So there is the healing that takes place through an encounter with violence and disruption. I think this is counterintuitive in some ways, but not in all. The disruption, the chaos making may be Dionysian, but so is shamanic "ecstasy", and the pleasure you recieve in life without the additional quantum of pain attached is hardly so pleasurable. So, I don't think that healing and wounding can be separated quite, either.


    Ah. That is the way I think. Why does Marechera as psychopomp offer kachasu to the spirits of the dead freedom fighters? Doesn't he know that (according to a source online) it is made of 'dead babies"? Actually according to my Zim friend, Letwin, it is made of hedge clippings, rotten fruit, and other things found on the rubbish tip. But it is this chaos (and disturbing contents) that is offered up for "healing" or for dead freedom fighter nourishment.

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  7. Ideology simply isn't intellectuality. They are a world apart, these two things, in terms of methodology and content.

    At the magical level of consciousness, one can see only ideology. One embraces an ideology as a talisman to ward off bad luck. Once having sworn oneself to an ideology, one is not permitted to deviate from its system of beliefs. Doing so will produce bad luck -- a curse on oneself and one's kinsmen.

    Intellectuality isn't anything like that. You can't introduce intellectuality as a fad, simply because you cannot embrace the position of being an intellectual as an ideology. Intellectuality is not a subject-position (vis-a-vis) the objects of the world. It isn't an identity.

    Therefore what one is or isn't when one engages in intellectual thought is a question for dogma and ideology to give a definitive answer to -- but it is not a question with a definitive answer (at least not usually) from the perspective of the one who is used to thinking about things deeply.

    If you are intent upon embracing a definitive answer to all the problems of your life, you are probably only embracing an ideology -- and not an attitude of intellectual openness to life and its possibilities.
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  8. The preoedipal stage is therefore the stage at which one solves the ontological question -- Do I exist or not?

    This is why it is shamanic -- because the question of existence (including what form such existence) might take -- is up for grabs. Since the very nature of one's existence is diffused and uncertain at this stage, it is easy to imagine (project a fantasy) that one might be a deer, or a lamb, or an osprey (perhaps each in turn, or all together). Phenomenologically, a return to the preoedipal stage is a return to the world of 'spirits' -- a grey world (ontologically speaking), wherein one is not quite living, although not quite dead. It is a creative world of possibilities, however, whereby fantasy can guide and determine what turns out to exist and what doesn't. This, therefore, is the realm of the see-er and of the creative poet.

    ***

    When I said, once, taking a stab in the dark, and not yet having an understanding of this preoedipal field -- at least not by name -- that Marechera wrote "beneath language", I was not wrong, technically speaking. (At least not in all ways -- despite the fact that obviously he was quite clearly using language to speak in this way that I had insinuated was "beneath" language.)

    That which I had a sense of, was that he was depicting a phenomenology of experience that preceded the firm sense of reality that maturation into full ontological awareness gives us. The use of language itself moves us towards a kind of positivism -- whereby objects are acknowledged automatically in the fullest sense of by virtue of being NAMED (and by virtue of the convention of not arbitrarily changing names, once something has been given a particular name.)

    Marechera, however, changes names and identities seemingly arbitrarily, throughout the stream of consciousness novel, Black Sunlight. His disregard for the conventions of language in allowing identities to remain FIXED is what I had picked up upon, and which I had thrown my descriptive term at, by saying his approach was "beneath language". (Of course, this term only made sense to me at the time, and not to anybody else -- so I also had my problem trying to label the phenomena that I had seen, in terms of conventional linguistic usage.)

    Anyway, it is now quite transparent that the pre-oedipal stage in a child's life (and the vestiges of it that remains with us at the adult stages of development) are concerning with the question of how it is that one might come into existence. One operating within this field certainly does not take the fact of one's existence (or the even the particular nature of it) for granted. Rather, it is a question that still seeks an answer. As I have indicated earlier, the question of non-being is that to which the shaman is traditionally driven in his or her confrontation with death (and, of course, with the 'spirit world')
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  9. Seeing the American political scene unfurl its rather mediocre candidates, it is so clear how power is managed inadequately -- which is to say for the sake of power, rather than for the sake of humans and their more complex capabilities.

    The system -- the one in Australia -- attempted to rule me by terror. A very small mistake -- a palpable human error, whilst attempting to do well with a good attitude -- was seen as the end of the world, as the beginning of doomsday, as an intolerable menace upon the perfectionability of life. Yet allowing huge sections of America to sink underwater, bombing this country because you mistake it for that one, and generally running the economy into the ground is ... perfectly okay.

    The standards I have always been held to as a mere worker are a zillion times higher than the standard to which one would hold the American president or almost anyone in office.

    Power has its own justification by which it perpetuates the most abject incompetence as normal and acceptable. Lack of power can never justify itself, no matter what its competencies or skills happen to be.

    Is this the lesson we will take from the 21st Century?
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  10. One of those things I do not think I will ever be able to fully bring out in my assessments of the writer who is Marechera is the thrill of his life in terms of living through so much of history.

    When the ever so posh Oxford scholars came in and found that he was trying to dry his clothes in his student room by hanging up lines and turning all the heaters on, and shutting windows, they had not idea that what they saw was somebody who had crossed whole eras of historical time very quickly.

    The lines he put up to hang his clothes were just the first link he had to make between his early origins in a mud hut and the modern network of communications he would utilise to write his books.
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