1. From the book:

    The schizophrenic, as I have shown, fears dedifferentiation because he equates it with death. He has failed to create a "womb" in his unconscious that could serve as a matrix for establishing unconscious linkages. [...] All he can do is copy the process of dedifferentiation on a conscious level which is impossible. He merely splinters his rigid imagery. Owing to their incompatibility the fragments become telescoped into 'bizarre" (Bion) mixture forms. Symbol formation* becomes impossible. What ought to have been conscious symbol and unconsciously symbolized object violently collide on the same conscious level. One of them must give way. [....] What the uncreative psychotic does is a horrible attempt at doing in the conscious world of hard unyielding objects what is only possible in the undifferentiated unconscious matrix of image making.

    An undue emphasis on the role of depression in creativity at the expense of mania neglects the polarity of mania and depression. They are fundamental human attitudes, perhaps representative of Eros and Thanatos. Once we accept the equal status of the two polar positions, we can discern their cooperation rather than antagonism in the work of creative integration. Creative depression allows the ego nuclei which are split apart on a conscious level to be contained and held together, while creative mania swings down to an undifferentiated leve of awareness and resolves the sterilizing dissociation between the many levels of ego. Depression acheives ego's HORIZONTAL integration (occurring on the same level), while mania leads to VERTICAL integration by joining surface imagery to its unconscious matrix. Together they bring about the basic rhythm on which the ego's health depends. (Ehrenzweig 1967: 194-195).

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    **I would suggest that symbol formation is also obstructed in abusive forms of therapy,  where "unconscious motives" are assumed to exist and then hypostatized -- that is, they are rendered as unchanging and solid.   This attitude, which prevails in patriarchal thinking, functions to prevent women from symbolizing their distress under its system.   --JA
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  2. Art theorist Anton Ehrenzweig's understanding of creativity elaborates on how artists require a certain ego "dedifferentiation" (as they submit to a certain influence of Thanatos – the death instinct) followed by a reconstitution of their vision (by means of Eros) :

    I have suggested that Thanatos, the death instinct, could be made responsible for the self-destructive effect of dedifferentiation a temporary decomposition of the (depth) ego; abstract thought can be seen as a success of Eros, the life instinct […] (Ehrenzweig 1967: 284).


    This psychological dynamic described above exemplifies the meaning of Zarathustra saying: "I love those who do not know how to live except their lives be a down-going, for they are those who are going across."

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    Of course, just as we have pew sitters supporting child rape in the Catholic Church, we also have Establishment 'Nietzscheans' who sit very still on their perches whilst proclaiming that the above quote represents Nietzsche's surreptitious trick for getting rid of those among us who are "mediocre" -- those who, needless to say,  are not perch sitters.
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  3. One of the most perplexing things I found when trying to adjust to Western society and its conceptions of how reality actually works was the reversal of subject-object relationships. I still find this extraordinarily difficult to cope with. It always takes me by surprise. It seems to me that within Western culture, subjects are not obliged to act under any circumstances. Rather, they are morally committed to sit around and wait for "objectivity" to make its move.

    Although it sounds very odd when stated like this, the point can be stated rather more theoretically. Within the Western cultural system at large (there are exceptions to this rule in terms of small subcultures) reality -- including subjective reality -- is deemed to be the product of various kinds of "invisible hands". There is, for instance, the invisible hand of the market, the invisible hand of fate, and the invisible hand of other people's judgements about you. These determine your destiny. To act on your own behalf, on the other hand, is deemed to be egoistic and arrogant.

    Westerners generally don't act on each other's behalves either. Instead they sit around and wait to see what the "invisible hand" has to say about the matter. To do anything other than remain perfectly passive whilst waiting for this hand to make its point is deemed to be mindblowingly conceited. "Who am I, a mere mortal on this Earth, to override the will of some potential (but not as yet visibly manifested) invisible hand?" One simply has to wait for fate to pronounce its verdict.

    If any invisible hand wants you poor, it will certainly stamp on you in this way. Or alternatively, it might want you to prosper. In that case, any human intervention prior to fate calling forth its child would surely take the shine off such a momentous event, making it seem less valuable. Any invisible hand must surely be allowed to do its work, without others risking their own spiritual sanctification by speaking up. Far better to Rest in Peace.

    I find this notion that "objectivity" alone creates subjects (and that it should be left alone to do so) to be laughable!
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  5. http://home.iprimus.com.au/scratchy888/BREAK%20FREE%20recovery.htm
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  6. I have gathered that according to the most prevalent myths about character structure, humans are built on a two-tiered system. First there is a layer of sediment called "emotionalism". Directly above that is a layer of accretion called "reason". And, according to current myths, it appears that this is all we got.

    I had a dream last night, however, which reminded me of something I'd not had such a clear image of until now. My own upbringing was not of the emotional sort (although, certainly it was of the sensuous-feeling sort -- something entirely different and fundamentally asocial).

    I went back to revisit primary school buildings in my dream last night. Each one was absolutely self-enclosed, more like a barracks than a children's nursery. Yes, each building would incubate and produce the next level of education. But there was nothing of parental guiding hands in all of this. It was all very impersonal.

    When I "emotionally" regress, I find I regress to this childhood level of consciousness, the one that I triumphantly identified in my dream with the statement: "But those buildings are so ... Rhodesian!" An earlier developmental stage for me is strictly stoical; impersonal. My spiritual identity has always been Spartan.

    There is of course a lot of sentiment involved in returning to this earlier level of consciousness. But there is no sense of rabid emotionalism in the way that Westerners understand that or expect it: certainly, there is no sense of being "out of control", but instead a contraction of my involvement with the world. I become more inward with the experience and narrowly rational.

    I resort to the condition of being a Stoic.
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  8. Patriarchy is not noble. Taking the easiest approach in life is not noble. "Well," you say, "women are weaker than me, so how can I show my strength unless I step all over them?"

    A lack of skill in expressing one's power, coupled with a failure of imagination is not noble, either.

    If women are really weaker than you then for you to demonstrate a lack of intellectual and physical gumption in relation to women will not demonstrate your strength.

    Patriarchy is not noble.

    "Well," you say, "in terms of my culture, I'm still gonna say it is."

    Pick your nose and you have an oyster! -- in terms of your particular culture, that is!

    Patriarchy is not strength.
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  9. Bataille is a Western thinker, who he has a bit of the Catholic tradition in him, too. It isn't easy to explain transgression, but it has to do with one's relationship with one's Superego. Bataille likens it to "sinning". To try to give you some idea, if one just conforms with what one has been taught to do, since childhood, one can be very moral, but one does not encounter the sacred. To have a fresh encounter with the sacred one has to go against the grain of what one has been taught is right since childhood. It's not a matter of going against one's conditioned ethics on principle, or in the abstract. To the contrary, what one is really doing is challenging one's limitations. It can be very easy to be "good" in a passive sense. But there is a kind of goodness that transcends this passive sense of being good. By being "bad" (that is, using active, rather than passive energy), one goes beyond all earlier, naïve conceptions of goodness -- especially goodness as passive compliance to one's authorities and their demands. One discovers a different way of looking at the world. The experience that allows the world to open up to you more than before is related to the sacred.
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  10. Consider the Idealism that defines the contemporary bourgeois personality structure as kind of dissociation. In this sense, what it allows is a kind of shamanistic journeying. One can be whatever one dreams one is, simply by dreaming it. One is not limited by physical reality or necessity, in terms of this mode of consciousness. I can run with the swiftest athletes, or deal with information as perfectly as any of the most refined thinkers.

    The issue, then, is not whether I actually have the skills or basic building material to do these sorts of things. Rather, the deciding factor is how much self esteem I have. So it is when bourgeois consciousness takes its shamanistic journey: If I believe I can do any of these things, I surely can! Physical factors shall not limit me! I am only limited by my ability to dream (which is, in turn, limited only by my levels of self esteem!) The sky -- the sky alone -- is the limit and outer parameter for bourgeois consciousness, simply because it is a consciousness separated from material reality and from one's body.

    Physical reality and material limits can nonetheless obstruct one's real progress at times. One realizes one doesn't fly, after all and perhaps one understands implicitly if not altogether clearly in the mind that there are concrete limits to what one can do. Despite Oprah and The Secret, these limits have nothing to do with the level of one's self-esteem, but with concrete factors -- which an actual shaman makes it a life's work to understand more fully.

    Bourgeois shamanism is different. This particular shamanistic dissociation enacted by those who want to be upwardly mobile will inevitably bring no knowledge and experience back to the individual at the level of material awareness. When this becomes apparent, it turns out to be not shamanism at all, but rather a pathological state of dissociation.

    The mind that wishes to fly ever upwards, economically, might wish to accuse those who have effectively accepted their concrete limitations of having "bad self esteem" for not living beyond their means. But this is not the nature of shamanistic realism, which understands that accepting one's material limitations and working with them is the key to harmony.

    The bourgeois "shaman" nonetheless expresses irritation at any manifestation of reality that doesn't directly meet his standards (whereby one simply becomes whatever one wants to become). When he blames those who fail his standards, he ultimately blames himself -- for he, himself, will also fail his standards to be whatever he imagines he can be.

    "Heads will roll!" he says, over and over, and over, again. Without end. That is his final cry: the expressed outcome of his basic faith.
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