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I wonder whether Cartesian dualist thinking often prevents the proper recognition of irony, when it is present in a book, or in one's laughter?
Cartesianism, to me, is like milk where all the creamy elements have been extracted. The non-creamy (depleted) elements of the milk are placed into another jar, and labelled "Unconscious". The creamy elements are labelled "Rationality". The two aspects of the milk, whilst once whole and somewhat integrated, are no longer permitted to mix.
Literary irony, however, relies upon their mixture. One expresses delight when what was smooth and tasteless suddenly has a creamy aftertaste: "Where did that come from? It's so unexpected!"
But dualistic thinking tends to see irony as a failure to keep both aspects of milk quite separate. After all, one's apparent failure in terms of rationality itself is, in the eyes of a dualist, no laughing matter.0Add a comment
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Cryptically (or not so cryptically), much of Bataille's writing can be considered as a retraining of the Superego for nonconformity to servitude and slavery. Transgression is not for its own sake, nor to indulge whims and desire. It involves a reorientation towards the world on the basis of one's individual strength to do that which was previously forbidden for one to do. Transgressive engagement is thus undertaken between the individual and himself (formerly his society's mores, that have been introjected as Superego). There is much at stake here -- much to lose. But every gain is an improvement in the range and power of one's will. The territory that one ultimately conquers, though, is one's self.
Nietzsche has a similar (although differently nuanced relationship to the question of his Superego). Zarathustra desires to break the law tables of "the good and the just". Such principled destruction also requires transgression of the Christian value judgements that had commanded European society. These values would probably have been internalised by his intended readers, meaning that, in a way, to destroy the value judgements of the "good and the just" meant destroying themselves, and recreating themselves anew:What is the greatest thing ye can experience? It is the hour of great contempt. The hour in which even your happiness becometh loathsome unto you, and so also your reason and virtue.
The hour when ye say: "What good is my happiness! It is poverty and pollution and wretched self-complacency. But my happiness should justify existence itself!"
The hour when ye say: "What good is my reason! Doth it long for knowledge as the lion for his food? It is poverty and pollution and wretched self- complacency!"
The hour when ye say: "What good is my virtue! As yet it hath not made me passionate. How weary I am of my good and my bad! It is all poverty and pollution and wretched self-complacency!"
The hour when ye say: "What good is my justice! I do not see that I am fervour and fuel. The just, however, are fervour and fuel!"
The hour when we say: "What good is my pity! Is not pity the cross on which he is nailed who loveth man? But my pity is not a crucifixion."
Have ye ever spoken thus? Have ye ever cried thus? Ah! would that I had heard you crying thus!
It is not your sin--it is your self-satisfaction that crieth unto heaven; your very sparingness in sin crieth unto heaven!
Where is the lightning to lick you with its tongue? Where is the frenzy with which ye should be inoculated?
Lo, I teach you the Superman: he is that lightning, he is that frenzy!--[my bolds]
Whereas Nietzsche self-identifies as an aristocrat (despite being economically of the middle classes or less, as an ex-professor, who was barely able to survive on his pension) and wants to ascend to the heights of his consciousness on the basis of self-contempt, Bataille chooses a different method.
Bataille self-identifies as a proletarian, an everyday worker (his genuine status, in Marx's sense, despite being a librarian). Bataille want to conquer the superego that would make him submissive to the boss's commands. He wants to think differently, recover his wholeness as an individual, to have the courage to be his own person. But this kind of "sovereignty" [Bataille's term] requires the strength to command and dominate one's Superego (which would have one inwardly -- as well as externally -- conform to those who have power over one). The Superego has to learn who is really the boss -- and that is why Bataille continually subverts it. His point is to teach it a number of lessons.
Thus, both Nietzsche and Bataille use the rhetoric of "destruction" when both are actually talking about the psychological prerequisite for self-commanding.0Add a comment
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One of the aspects that really seems to hinder learning within patriarchal societies is patriarchal epistemological arrogance. As I have previously mentioned on this blog, the patriarch typically makes a statement that is full of implications that he knows more than thou, but without ever having the courage to make his statement direct and explicit.
So, for instance, in the past I have made a statement along the lines: "Things for me have been extremely difficult, rather than easy." A patriarch is one who will find this statement extremely difficult to believe. One does not dare to question why this is, for this is to put pressure on the patriarch to develop some understanding of himself and his own perspectives -- something of which he is intrinsically incapable, if he is to remain a patriarch.
A patriarch is one who has faith -- rather than reason, or knowledge -- that the above statement, when uttered by a woman, is bound to be false. He knows not why he knows this. He simply "knows". He exercises his faith that what she says is simply untrue.
This, however, is epistemological arrogance. To maintain the position: "I know more about your life than you do, and have the better evaluation of it," is an untenable position from the perspective of contemporary measures of scientific rigour.
A patriarch, however, knows not why he knows what he believes he knows. His ideas are unfalsifiable [Cf. Popper] (i.e. unable to be treated objectively, or as a factual proposition) -- especially by women.
For a woman to question this implicit belief of the patriarch puts her in the category of "hysterical". The patriarch has taken on the trappings or appearance of scientific rigour (whilst maintaining a position based purely on faith) and is now accusing the woman of being incapable of observing the facts of her own life.
As I have shown, a patriarch is intrinsically hostile to critical analysis of reality as it happens to be (as opposed to the idea of reality as the patriarch wishes it to be).
A patriarch is an enemy of science.0Add a comment
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Patriarchy is a system that punishes women for breaching (or merely seeming to breach) gender roles. The structure of patriarchal thinking -- its "unconscious" as it were -- is hidden from general awareness.
Let me try to bring it to light. A patriarch is someone who is incapable of complex thought. His or her mode of thinking is entirely based upon binaries, dichotomies, the simple on-off switch of "Yes" or "No."
Let me put forwards two quintessentially patriarchal formulas:
1. "You are not what you seemed to be."
2. "You are not behaving according to your nature."
On these two principles is established the bulwark of patriarchal hostility to women as natural, free beings -- for patriarchy is nothing if it is not anti-nature.
Let us consider the first principle, whereby women are made responsible for patriarchal male perceptions, including, and above all, the errors in those perceptions. To be what one appears to be is the unwritten law that women are obliged to follow. At the same time, "what one seems to be" is hard enough to discern, for one must place oneself outside of oneself to begin with, in order to try to imagine how one might appear to be to somebody other than oneself. The patriarchal injunction is for women to objectify themselves, so as to become pure patriarchal OBJECTS (but not SUBJECTS!) -- in other words, what they "seem" to be.
The second of these principles of patriarchy is one that most operates according to an OFF and ON switch. Here is how that functions. To begin with, let us presume that I am only obliged to pay attention to you insofar as you are functioning "according to your nature". The minute that your actions fail to correspond to that which I take to be your true, essential "inner nature", I am release from all obligations to you at all. Effectively, you will cease to exist for me. So it pays to learn one lesson: if you have something that you really want to say, then please say it according to your "inner nature". Either that, or I will flick the mighty OFF-switch in my mind, causing you to really seem to cease to exist.
The second principle works pragmatically for patriarchs, since it trains women to comply with certain arbitrary modes of thinking and expressing themselves, under the threat of not being heard at all. The first principle effectively reinforces the second mode of emotional blackmail, by trying to impose a guilty conscious on women whose identities have been mistaken by a patriarch. They are charged with wilful deception -- even though the failure to perceive correctly in the first instance originated in the mind of the patriarch himself.0Add a comment
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The crudest kind of behaviour -- and it is by no means limited to Westerners alone -- is to openly and overtly demand respect. This rarely works, because a demand to be respected rarely coincides with a display of one's respect-worthiness. But also, demanding that one be respected (in other words, trying to force the issue of making another defer to you)is likely to broadcast your intent in a way that makes it seem much narrower than if you were not to express it directly.
I am often astonished by people who use this crude method of relating, that they do not try all sorts of other methods first. The indirect methods of appealing to people tend to work much better than trying to force the other person to see you in the harsh light of day. If you do force them to see you that way, what is there to guarantee that they will come to respect you more than before? The chances are that they will respect you less once you have made it clear to them how very much your views and interests diverge from those whom you were trying to persuade.
This method of trying to get your way is crude and rude because of what it implies about your listeners. It relies upon the existence of a naturally submissive tendency in these others whom you would shock into submission. But get this wrong and you've played your hand. You've spelled out the limited and restricted nature of your intent. You've placed all of your eggs in the one basket, and you've gone ahead and dropped them all.
If your single chance to make a good impression doesn't work for you -- make omlettes!0Add a comment
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One of the peculiarities that I am noticing about American culture is the way they hold their bodies. I am examining martial arts videos to see what others are doing and what they deem to be worthy to teach. All the time I am noticing that there is a way of speaking that is fraught with tension. This isn't precisely in the tone of voice, but rather in the determination to teach something that is universally applicable, precise and understood to be authoritative. I notice this same thing even in American comedies -- the way women hold their bodies with a stiffness that belies their more relaxed mental demeanour.
I see in this stiffness the American puritanical value system at large. (One finds this in Australians, too, and no doubt in the British, to the degree that these are also puritantical.)
If stiffness is a sign of moral forthrightness, then somebody who is loose in movement and in attitude must certainly be up to no good!
There may be an attendant assumption, too, that loose people are inefficient.
Nonetheless, looseness is absolutely vital for mental flexibility. A supple mind and body is vital to avoid sudden attacks, and to defend one's territory.
This attitude of mental suppleness is precisely what is missing from the American videos I have watched.
This can't be taught as a technique, but it's two thirds of what's required for effective action in the martial arts.0Add a comment
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I examine my paradoxical and serendipitous relationship to feminism.
To make it plain, the drive behind my feminism has nothing to do with identity politics, at least not in any conventional sense. I'm not an feminist in order to belong anywhere. Nor am I one because I've staked out moral ground that I wish to defend against any other people whatsoever.
The only ground that I wish to defend is that which already lies very far beyond the boundaries of normal civilisation. I stake my life for that, and that alone -- that I have the right to leave normal civilisation and explore its peripheries.
My feminism, it should be clear, is based solely on my affection for the extremes of experience, for without an encounter with these extremes I start to feel as if I were no longer alive.
I defend my right not to be stereotyped -- because that robs me of transcendence, and forces me back within the boundaries of ordinary society to conform to psychologically debilitating norms. To accept the necessity of such a return would turn me into my opposite.
I am a feminist for pragmatic reasons -- because if I let patriarchal men and women get away with routine stereotyping practices that kill the spirit, it will not be too long before that stereotyping is, once more, turned against me.
I am a feminist because that is the only way to live with honour.4View comments
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For those who may still be unsure, Thus Spoke Zarathustra is not a new religious book. Rather, it is a book that totally breaks with old style religion and any form of priestliness. This is a book that employs the old shamanistic technique of reversal of roles and identities in order to highlight the nature of the roles we play. So it is that the Zarathustra of yore (Zoroaster) is permitted to perform his acts anew, only with the totally reverse conceptions in mind:
It is believed that Nietzsche creates a characterization of Zarathustra as the mouthpiece for Nietzsche's own ideas against morality. Nietzsche did so because—so says Nietzsche in his autobiographical Ecce Homo (IV/Schicksal.3)—Zarathustra was a moralist ("was the exact reverse of an immoralist") and because "in his teachings alone is truthfulness upheld as the highest virtue." Zarathustra "created" morality in being the first to reveal it, "first to see in the struggle between good and evil the essential wheel in the working of things." Nietzsche sought to overcome the morality of Zarathustra by using the Zarathustrian virtue of truthfulness; thus Nietzsche found it piquant to have his Zarathustra character voice the arguments against morality. [ESTEEMED WIKI]
To reverse a previous act of history by reproducing it in part, only with entirely different actors and emotional valences seems to be a common form of shamanistic intervention in history. Marechera has done this, and I have attempted it myself.
In its overarching philosophical and poet sense, however, Thus Spoke Zarathustra should be understood as a formal investigation into nihilism as a philosophical position. That is the meaning of the "abyss" and why no values are rock solid in this book. Rather they are spoken forth and then to some degree withdrawn again. The end sections of the book ought to be understood as a withdrawal of these values from their absolute position, as the author descends further into his own depths of consciousness through rigorous self-reflexivity.
There is a surface contradiction between embracing nihilism and trying to form a more rigorous philosophical outlook on its basis than previous religious systems were able to manage. The bedrock of Nietzsche's book (the non-nihilistic part) is a sense of religious piety that has been inculcated into Nietzsche (and presumably his European readers) through their conditioning in accordance with Christian morality. It is the rigour of this originally Christian piety (which demands truthfulness in morality to an ever greater degree) that, according to Nietzsche, has ended up killing the Christian God. (Paradoxically, as it seems, the Christian religion and its deity could not survive the rigour of Christian piety when taken to more extreme levels.) Taking moral rigour to its extreme produces philosophical nihilism. Yet this nihilism is still driven by a purpose -- that is to find a more authentic basis for living (in other words, the nihilistic project is also morally driven, but in an entirely different way from in the times of yore -- as in when "God" was still alive).
The motif that Nietzsche most commonly uses in opposing the studious "camel" (Zoroaster, according to esteemed Wiki)is that of the lion that destroys existing values and systems of law. Zarathustra can be correctly read as this lion. Nietzsche proposes that instead of using morality as a system for self-preservation, we no longer seek to preserve ourselves but to embrace life as it is, along with our fear of it. This is his reversal of Zoroaster's ancient law, which used morality as a system for self-preservation.
An historical period of destructiveness of the old Christian values is prescribed by Zarathustra, (the nihilistic "prophet" of doom), as a means to restore humanity's innocence again, so that is becomes like "a child", playing with naked reality instead of conjuring up a false system of values (religious morality) in order to protect oneself from it. The means by which this destruction is to be wreaked is actually Christian piety -- but, importantly, without the Christian dogma or belief system.
What is important to realise about Thus Spoke Zarathustra is that it is not a book that is designed to impart to you beliefs -- but rather, an attitude towards a crisis. You are not meant to come away from reading it thinking "women are shit". If you do so, then you have only succeeded in swapping your Christian morality (with its surface appearance of benevolence) for a version of Christian morality stripped of its masks!0Add a comment
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